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Ursula Bagdasarjanz Portrait Please click here |
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| «DIE GEIGEN VON APPENZELL» A film about the Stradivarius-Collection Habisreutinger. A co-production of ZDF, SRG and ORF 1969. With Ursula Bagdasarjanz. Please click here to view the film |
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| «TRANSYLVANIA 2002» A film dedicated to Dr. Domnica Tetcu-Butiurca. Please click here to view the film |
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ImportantUrsula Bagdasarjanz on WikipediaImportant: Please watch also Ursula Bagdasarjanz on wikipedia.org, english |
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Ursula Bagdasarjanz on Youtube Ursula Bagdasarjanz is present on Youtube with 45 videos I am pleased to offer you my autobiography, in form of this Videos! Ursula Bagdasarjanz ![]() Please click here for the overview or here for the videos |
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Ursula Bagdasarjanz's publications Edition Kunzelmann: Switzerland and worldwide Allenoten: Germany and EU Sheetmusicplus: USA
These publications are now also available at the Zurich University of the Arts. |
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Highlight Special Tribute Music Treasury Show Stanford University ![]() Not available |
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Highlight Ursula Bagdasarjanz, violin, special Tribute Music Treasury Show, DJ: Glemco, Stanford University, CA: 22 August 2013 and 16 February 2020. The corresponding programmes can be found on their website. Programme (PDF) Article by Gary Lemco |
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2025
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Ursula Bagdasarjanz - Luciano Sgrizzi play Nardini |
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May 2025 |
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February 2025 |
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Highlights 2024October 2024 |
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Highlights 2023December 2023 |
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October 2023 |
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August 2023 |
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Highlights 2022November 2022 |
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July 2022 |
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Highlights 2021March 2021 |
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Januar 2021 |
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Highlights 2020December 2020 |
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30. June 2020 |
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Please type in your computer: kzsulive.stanford.edu |
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Highlights 20197. September 2019 |
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January 2019 |
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Highlights 2018October 2018 |
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August 2018 Example – Classical |
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March 2018 |
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February 2018 |
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January 2018 |
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January 2017 The Language of Passion. |
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Bechstein Trio plays Ursula Bagdasarjanz's Gipsy-Romance Bechstein Trio (Ruth Best, Pamela Rosenfeld & Sally Pearson) plays Ursula Bagdasarjanz's Gipsy-Romance in the St. Ives Parish Church, Cornwall. Please click here |
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2013-2017Radio stations worldwide that have confirmed airplay Ursula Bagdasarjanz, CD Vol. 1 (Bach, Nardini, Mozart, Bartók) Ursula Bagdasarjanz, CD Vol. 2 (Othmar Schoeck) Ursula Bagdasarjanz, CD Vol. 3 (Schoeck, Glasunow) Ursula Bagdasarjanz, CD Vol. 4 (Sept Poésies) Ursula Bagdasarjanz, CD Vol. 5 (Mozart, Beethoven, Brahms) We got your CD's. We loved them all. Ursula's violin sounds beautifully as we already knew ... aired by our producer Paulo Alves Guerra (he is the presenter of the morning show between 7:00AM and 10:00AM at weekdays). |
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Highlight Ursula Bagdasarjanz, violin, special Tribute Music Treasury Show, DJ: Glemco, Stanford University,CA, Thursday, 22 August 2013 8pm-10pm Programme (PDF) |
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URSULA BAGDASARJANZ - VIOLINIST Ursula Bagdasarjanz was born in Winterthur, Switzerland, to a mother who was herself an outstanding violinist. The seeds of Ursula's musical talent were sown in the cradle, or, as she herself believes, were bestowed as a gift to accompany her through life. Her father, Samuel Bagdasarjanz, who was of Armenian and Swiss extraction, was born in Romania, whence his family emigrated to Switzerland. Through her mother, Margrit Weiss, born in Switzerland, of Austrian and Swiss descent, Ursula learnt at an early age to express herself on her instrument. In 1944, at the age of ten, Ursula Bagdasarjanz gave her first concert (Beethoven Romance in F major). Her teachers were Aida Stucki in Winterthur, Switzerland (19441953), Marcel Reynal at the Conservatoire National Supérieur de Musique in Paris, France (19531956), where she was awarded the "Premier Prix de Violon" in 1956, and Sándor Végh in Basel, Switzerland (1957 and 1958). She took masterclasses with Joseph Calvet in Paris and Max Rostal in Bern. At the time Ursula Bagdasarjanz was taking violin lessons from Aida Stucki, the latter was herself a student of Carl Flesch, one of the most famous violin educators ever. This was a stroke of luck: as a child, Ursula Bagdasarjanz had already had the chance of familiarising herself with a unique method of work for violinists, the Carl Flesch scale system. In 2000, another Aida Stucki student, the violinist Anne-Sophie Mutter, wrote the introduction to Eric Rosenblith's new edition (published in English) to Carl Flesch's book on "The Art of Violin Playing". Another violinist having done extensive work on the Carl Flesch's works was Max Rostal. He published a new, revised and broader edition of the scale system in 1987 and passed his in-depth knowledge of the standard works of Carl Flesch on to students attending his masterclasses. As both soloist and a chamber musician, Ursula Bagdasarjanz pursued an active concert career. She did much for the composer Othmar Schoeck. She performed a full range of his violin works, including recordings of all his violin sonatas, accompanied by Gisela Schoeck, the composer's daughter.
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![]() Ursula Bagdasarjanz after her first concert on June 10th 1944
Ursula Bagdasarjanz on June 14th 2010
Ursula Bagdasarjanz on June 14th 2010
Ursula Bagdasarjanz on June 14th 2010
Ursula Bagdasarjanz on June 14th 2010
Ursula Bagdasarjanz on June 14th 2010
Ursula Bagdasarjanz am 14. Juni 2010
Ursula Bagdasarjanz am 14. Juni 2010 |
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THE DEBUT OF A GREAT CAREER Au temple de la Madeleine, Genève: BACH, BUXTEHUDE, HAENDEL Quant à Mlle Ursula Bagdasarjanz, elle fut la révélation de la soirée... Justesse sans défaut, vigueur admirable de l'archet, souplesse de tous les instants, enfin un sens évident de l'architecture et de la composition: volià quelques-uns des atouts qui permirent à Mlle Bagdasarjanz de remporter un succès éclatant. Lang. – La Tribune de Genève, 26. XII. 1957 Eine stets reine, volle Tongebung, eine äusserst geschmeidige Bogenführung, dazu eine wohltuende Sicherheit und Ruhe, ein hohes Mass starker Einfühlungsgabe und echte Musikalität haben nicht nur auf mich, sondern auch auf die grosse Zuhörerschar stärksten Eindruck gemacht. Prof. Dr. W. Tappolet, Professeur à l'Université de Genève, 10. I. 1958 Tonhalle, Zürich: Im Vortrag der SYMPHONIE ESPAGNOLE von LALO zeigte Ursula Bagdasarjanz bemerkenswerte Virtuosität und prächtiges musikalisches Temperament, so dass man die vielversprechende Künstlerin zum besten schweizerischen Nachwuchs wird zählen dürfen... -id- Die Tat, Zürich 19. III. 1957 Stadthaus Winterthur: Violinkonzert von ALEXANDER GLASUNOW, a-Moll: ...mit erstaunlicher Sicherheit im Technischen wie Musikalischen wusste Ursula Bagdasarjanz das Werk zu interpretieren. G.H.S. – Neues Winterthurer Tagblatt, 3. II. 1958 ...Kräftiger Bogenstrich, saubere Passagen, reine Intonation auch in den hohen Lagen kamen dem virtuosen Zuschnitt der Randteile ebenso entgegen wie der tragfähige Ton und das expressive Vibrato dem von slawischer Gefühlssattheit geprägten ruhigen Mittelteil... E.N. – Der Landbote, Winterthur, 1. II. 1958 Schoeck-Müller Festival, Uster: ...Eine bemerkenswerte Leistung vollbrachte Bagdasarjanz mit SCHOECKS Violinkonzert in B. Es verlangt vom Solisten eine reiche Palette wohl abgestufter Farbtöne, welche die Violinistin fühlbar besitzt... -niK- Anzeiger von Uster, 18. XI. 1958 ...unsäglich zart und schmelzend legte sie die Pianopartien hin, aufwühlend und hart die Forti und Fortissimi... R.W. – Oberländer Spiegel, 17. XI. 1958 Tonhalle St.Gallen: ...Den unstreitbaren Höhepunkt des Abends bildete das vielgehörte Violinkonzert in D-dur (KV 218) von W.A. MOZART. ...Ursula Bagdasarjanz überraschte durch ihr hinreissendes, musikalisches Temperament, den edlen Saitenklang und ihre staunenswerte sichere Virtuosität in hohem Masse... he. – Die Ostschweiz, 8. IX. 1959 ...Im straffen Allegro... zeigte die Solistin grosse technische Sicherheit, tragenden Ton, Temperament und Ausdruckskraft... Die Kadenz zeigte wie schon die des ersten Satzes technische Vollendung... H.G. – St.Galler Tagblatt, 8. IX. 1959 NARDINI, BACH, SCHOECK, BARTOK, FAURE, PAGANINI En el Ateneo Cientifico, Literario y Artistico: ...es ya una realidad, pues posee además de una posición irreprochable, un conocimiento vastisimo del dificil instrumento que, merced a la habilidad de sus manos de hada, sabe sacar sonoridades estupendas... -S. – Mahón, 19. XI. 1959 ...oyendo a Ursula Bagdasarjanz dominando con absoluta fuerza y emoción interpretativa y nervio, unido de continuo a una gran sensibilidad artistica... Rosa Ten. – Sabadell, 3. XII. 1959 |
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Advertisements, Neue Zürcher Zeitung (NZZ), November 1962![]() |
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2010Swiss Violinist Ursula Bagdasarjanz Reflects on Her Influences, 24 April 2010www.fanfaremag.com Interview by Robert Maxham (PDF/316kb) |
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2012An interview with Ursula Bagdasarjanz, February 2012by David K. Nelson Interview by David K. Nelson (PDF/68kb) |
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Fanfare Magazine by Robert Maxham, February 2012 © by Robert Maxham (CD Vol.5) www.fanfaremag.com Review by Robert Maxham (PDF/36kb) |
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Ursula Bagdasarjanz Press release, March 2012 Ursula Bagdasarjanz Press release (PDF/1.3mb) |
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Classical Northeast Indiana Public Radio 2012![]() |
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2013Translation of the article on © www.codexflores.ch of 29.01.2013The Violinist Ursula Bagdasarjanz (PDF/100kb) |
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Classical Reissue Reviews, published on April 8, 2013, audad.com 2013/04
Volume two of the survey of Othmar Schoeck’s violin works enjoys the artful collaboration of two well matched musicians, including violinist Bagdasarjanz and the composer’s daughter at the keyboard. Recension by Gary Lemco |
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Review in MusicWeb International from Stephen Greenbank, May 2013 It was in 2008 that the Swiss Label Gallo originally released four volumes of recordings by the violinist Ursula Bagdasarjanz. Last year saw the release of volume 5 which contains works by Mozart, Beethoven and Brahms. Under review here is volume 1 which, I presume, has been re-released. When the first four volumes surfaced five years ago, I acquired volumes 2 and 3 which contain the violin sonatas and concerto of Othmar Schoeck, the sonatas being accompanied by the composer’s daughter Gisela. Some time ago, I heard on the radio a recording of Schoek’s Violin Concerto performed by the Hungarian violinist Stefi Geyer and, as it was a work I was unfamiliar with yet enjoyed immensely, I decided to explore the Bagdasarjanz recording (review); I never looked back. She was born in Winterthur, Switzerland in 1934, to a mother who was a violinist of some stature, and a father who was born in Romania, hence the name Bagdasarjanz. Giving her first concert at the age of ten, she went on to study with Aida Sticki (who later taught Anne-Sophie Mutter), with Marcel Reynal at the Conservatoire National Supérieur de Musique in Paris, where she won a first prize, and with Sandor Vegh in Basel. She later attended master-classes with Max Rostal, who had been a pupil of the great violin pedagogue Carl Flesch. An international career as a soloist and chamber musician lay ahead of her. Bagdasarjanz’s playing is both highly polished and refined. Intonation is always pristine. This is especially evident in the Bach unaccompanied sonata, where the violin writing is very exposed. There is clarity of line in the contrapuntal passages of the fugue. Double-stops ring out with vibrancy. At all times the playing is technically secure, with a wonderful sense of phrasing. The Nardini Sonata is the only work in the programme that I am not familiar with. It’s an absolute delight, giving the violinist the opportunity to display her silvery, warm tone especially in the gorgeous Larghetto. The Rondo of the Mozart Sonata has, for some strange reason, been divided into two tracks, quite bizarre! In the Bartók Rhapsody, Bagdasarjanz utilizes an array of violinistic effects to project the music, and successfully captures the Hungarian gypsy folk idiom. Her vibrato, though quite fast, is never one-dimensional. She is able to use it to display a wide range of tonal colour. Her sound is never monochrome. Biographical information in the booklet notes appears to be the same as that in Wikipedia. From what I can gather from the notes, which seem to be identical, at least in the three volumes I have, these are re-mastered radio and live recordings published by the violinist herself upon her retirement as an international soloist. It appears that she still continues to teach. I have not been able to discover whether or not she made any studio recordings. However, to violin enthusiasts like myself, what little we have of her on CD deserves a place on the shelves alongside other great female violinists like Erica Morini, Johanna Martzy, Michele Auclair, Camilla Wicks, Ginette Neveu, Ida Haendel and Wanda Wilkomirska. The list goes on. Stephen Greenbank |
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Ursula Bagdasarjanz, violin, special Tribute Music Treasury Show, DJ: Glemco, Stanford University, CA, Thursday, 22 August 2013 8pm-10pm Handel: Violin Sonata in F Major (album: Ursula Bagdasarjanz: Sept Poesies, Gallo) |
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Ursula Bagdasarjanz - Volume 4 Sept Poesies pour Violon et Piano: In 2008 the Swiss Label Gallo released four volumes of recordings by the violinist Ursula Bagdasarjanz. Last year saw the release of volume 5 which contains works by Mozart, Beethoven and Brahms. The discs are resurfacing, and I was pleased to be given the opportunity to review volume 4 as a few months ago, I had the pleasure of reviewing volume 1 .Being familiar with all the other volumes, which have formed a very welcome part of my collection, this one seemed to have slipped my attention first time around. Born in Winterthur, Switzerland in 1934 to a mother who was a violinist of some stature and a Romanian father, Ursula gave her first concert at the age of ten. She went on to study with Aida Stucki, Marcel Reynal and with Sandor Vegh in Basel. She later attended master-classes with Max Rostal, who had been a pupil of the great violin pedagogue Carl Flesch. Interspersed throughout the CD are Bagdasarjanz’s own ‘Sept poesies pour violon et piano’, described in the booklet notes as ‘Seven romantic violin encores’, with piano parts composed by Brigitta Meister. They were recorded in 2008 by the violinist Melanie Di Cristino, and accompanied by Raluca Stirbat (piano). The first piece, Berceuse in c minor is a simple melodious work, characterized by expressive lyricism yet with an underlying melancholy. This is followed by Dracula, a piece guaranteed to make the listener sit up and take notice. Jaunty and astringent, the sounds emanating from the violin have a Mephistophelian character, over an ostinato bass. Gipsy Romance is, as it’s title suggests, romantic and rhapsodic, interrupted twice by a Hungarian dance-like section. Caprice, with its recitative section is very much cloaked in Paganiniana. Joie de Vivre is bright, cheerful and exuberant. I detected some echoes of Wieniawski. Reverie is effusive and charming. The final piece Introduction et petite Valse des Alpes in G major has a declamatory opening followed by a melody closely resembling Paganini’s ‘Carnival of Venice’. It is disappointing that, apart from the Handel Sonata and the very short Paganini Sonata, we are only given one movement from the Mozart and Nardini works. These two isolated movements are to be found in their full versions in Volume One. I would like to have heard more of Bagdasarjanz’s playing than is offered on this CD. Nevertheless, what we have here gives one a general idea of the qualities which distinguish her playing. All the elements are there: faultless intonation, beauty of sound, expressive phrasing and wonderful dynamic control. Her vibrato is varied, and furnishes her sound with a tonal opulence. Most of all, however, her playing has a wonderful sense of line. Melanie Di Cristino and Raluca Stirbat play the Bagdasarjanz items with great commitment, and the recorded sound is second to none. The tracks featuring Bagdasarjanz, are re-mastered recordings from the 1960s, and are very well reproduced. Stephen Greenbank |
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Ursula Bagdasarjanz on Wikipedia Important: Please watch also Ursula Bagdasarjanz on wikipedia.org, english |
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Ursula Bagdasarjanz on Youtube Ursula Bagdasarjanz is present on Youtube with 45 videos I am pleased to offer you my autobiography, in form of this Videos! Ursula Bagdasarjanz ![]() |
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04.03.2013 |
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23.03.2013 |
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22.08.2013 |
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201426.01.2014 See article from Mrs. Patricia Moreno (PDF in german @Radio SRF) |
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18.09.2014 Ursula Bagdasarjanz also present on Radio Klassika, Tallinn. |
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201518.05.2015 |
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1.09.2015 Zurich University of the Arts, Pfingstweidstrasse 96, 8005 Zürich, miz.zhdk.ch |
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20.11.2015 |
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15.12.2015 According to SUISA, list of works, Zurich, december 2015 |
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201615.02.2016Ursula Bagdasarjanz in the Swiss National Library (NL) |
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02.05.2016 |
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05.07.2016 |
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17.08.2016 Othmar Schoeck Sonate in D major op.16 for violin and piano |
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2017Ursula Bagdasarjanz, Klassiktelefon WDR 3: Lieblingsstücke Bela Bartók 1. Rhapsodie |
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Ursula Bagdasarjanz's CD now available in the webshop Thalia.de |
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Ursula Bagdasarjanz's CD available too in the webshop weltbild.ch |
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Ursula Bagdasarjanz featured in the Herrliberg calendar The Language of Passion. |
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Ursula Bagdasarjanz in the newspaper "Küsnachter Zeitung" (Küsnachter Nr. 9, March 2th 2017, in german) Please click here |
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The Mozart Trio 1. Violin Ursula Bagdasarjanz 2. Violin Annemarie Bagdasarjanz 3. Violin Margrit Bagdasarjanz-Weiss Please click here: Tracklist A: Adagio Tracklist B: Menuet and Rondo |
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Bechstein Trio plays Ursula Bagdasarjanz Rêverie Bechstein Trio (Ruth Best, Pamela Rosenfeld & Sally Pearson) plays Ursula Bagdasarjanz Rêverie in the St. Ives Parish Church, Cornwall. Please click here |
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Bechstein Trio plays Ursula Bagdasarjanz's Gipsy-Romance Bechstein Trio (Ruth Best, Pamela Rosenfeld & Sally Pearson) plays Ursula Bagdasarjanz's Gipsy-Romance in the St. Ives Parish Church, Cornwall. Please click here |
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Ursula Bagdasarjanz in the Schweizer Musikzeitung (Swiss Music Newspaper) Please click here |
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Concertzender Niederland |
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Ursula Bagdasarjanz at SUISA My SUISA: the works of Ursula Bagdasarjanz in the SUISA works database. Please click here |
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Ursula Bagdasarjanz at Kunzelmann Editions |
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Ursula Bagdasarjanz at Boosey & Hawkes |
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Ursula Bagdasarjanz in The Sydney String Center |
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Ursula Bagdasarjanz in iTunes |
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Ursula Bagdasarjanz in Google Play |
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2018Classical music |
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New also at Disques VDE-GALLO: sunrisemusic.com Example – Classical |
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28. March 2018, NACHLESE "Diskothek" |
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Ursula Bagdasarjanz on Kultur2, broadcast station Radio SRF |
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Exhibition Farbklänge – Klangfarben |
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«MY LOVE OF MUSIC...» This means: singing, creating, and breath-phrasing. |
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| LINKS – www.amazon.com – www.arkivmusic.com – www.alle-noten.de – www.sheetmusicplus.com – www.fanfaremag.com – www.kunzelmann.ch – www.thestrad.com – www.vdegallo.ch – www.kingrecords.co.jp – www.wikipedia.org – www.youtube.com – www.roudneff.com (Artiste Peintre Roudneff) – www.othmar-schoeck.ch (othmar schoeck gesellschaft Zürich) – www.zb.uzh.ch (Zentralbibliothek Zürich Musikabteilung) – www.archiv-frau-musik.de – www.youtube.com – www.google.com – tower.jp – www.shazam.com – www.sunrisemusic.com.hk – www.musikzeitung.ch – www.fonoteca.ch – www.zhdk.ch – www.concertzender.nl |
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| Copyright © 2002- by Ursula Bagdasarjanz, Herrliberg |
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